I really like going to the movies. There’s something kind of awesome about finding a seat in the darkness and watching a movie with a bunch of strangers WHILE munching on popcorn and slurping down the biggest Coke ever made.

The fun part about going to the movies is the decadence, I think. Because, come on, you might occasionally gorge yourself at home, but it’s only at the movie theater that you buy that gigantic popcorn and the largest drink. Your self-motivator? The thought that you might finish your popcorn or your drink and need to get up to get more, thereby missing a portion of the movie and not being able to rewind. Why is that great? Because when you’re at home there’s no way you’d eat that much popcorn or drink that much soda. So you’ve basically talked yourself into being a pig, and there’s some secret part of you that loves that.

Sure, it would be bad if you practiced those kinds of eating habits all the time, but to do it just every once and a while gives it that much more purpose and meaning. It also makes the memories of those trips more precious to both adults and children.

And that strange mix of nostalgia and euphoria makes whatever movie you’re watching ten times better. So even if you were watching what should have been just an “okay movie,” that euphoria makes it into something so fantabulous you have to gush about it later. It just blows up and you’re totally in that moment.

Sitting in a movie theater is one of those great experiences that simply should not be missed. Yet the prices are so prohibitive that more and more people aren’t going to the movies anymore. And so people get mad at movie theater owners for being greedy and charging so much money.

But it’s not the movie theaters’ fault.

The whole reason why movies are so expensive is because movie studios are charging so much. Because when’s the time a movie mostly seen? In its first week. And that’s when the studios expect to be paid the most money. Each time the movie is shown, they get up to 90% of the ticket price, if not more, leaving the theaters to try and get the most money out of concessions. Which is why so many theaters are disappearing.

People do not want to pay so much money for snack foods. “$5 for popcorn? I wouldn’t pay that much for a gallon of gas, yet I’m expected to pay it for frakking popcorn? Are you insane?” is the first response most people have. “$10 for a matinee ticket, $5 for popcorn, $5 for a drink? I’m not going to pay that much just for me to see a movie by myself! And if I brought someone else, that would be $40 if she didn’t want anything more. We could go out to dinner and watch a movie at home for less than that. And I’d be more likely to score… hm.” And thus, another theater goer is gone.

Which is why I think the future of theaters is going to see more success in showing Independent films. Because making a movie yourself is a lot easier to do now, and with theaters being unable to stay in business on studio movies, there will be more of them willing to show independent movies “just until I stay afloat.” Especially if they’re the ones being paid to show the movie – or at least, if that’s how they perceive the situation.

Theaters could be showing different homegrown movies every week and making money while doing it. So if you’re making tons of money showing some high school kids’ sci-fi movie, but you’re losing money on studio movies, then why not just go completely independent? Only show good movies chosen from those submitted by their makers, and basically be your own small distributor.

Besides, MOVIE MAKERS, going independent could actually see you making much more money. Amazon lets you make your own DVDs and sell them at their store through their subsidy, CreateSpace. Which is cool, because nowadays, everyone knows DVDs and digital content is where all the money is.

Panoply at Amazon

Okay, so Brian is a complete and total idiot.

*Jillian was wonderful.*

Sure, she wasn’t the smartest of people, but she was warm and caring and really loved him. She seemed like she would be incredibly loyal too, so he would have never had to worry about her cheating on him. She also seemed to be in some way financially independent — she had money for nice clothes, her own apartment, etc. So she might have either had a stable job that paid her well, or some kind of family money. Any way you look at it, she was able to take care of herself and seemed really awesome.

Brian might not have been able to have intellectual conversations with her, but that’s what he has Stewie for. He could have had Jillian for all the comforting relaxing things he’s always trying to get from Lois (you know, like when he talked about her all sweetly when they went to get his award), then he’s got Stewie for the witty conversation.

Brian is kind of a douche bag. I love him because he’s a fluffy looking white dog, but if he were a real guy – I’m with Quagmire in thinking he’s a pretentious dick head.

He went out of his way to make his relationship with Jillian not work. Then he spends the rest of forever whining about how he’s so lonely.

I think the best thing for Jillian was breaking up with Brian. She was a very sweet girl and Brian was an asshole checking out other women and treating her like crap.

He ridiculed Jillian for her stupidity, then got so upset when his intelligence was questioned by [that girl from the “Hills”] (sic) that I was just like “Ha, in your face asshole!”

I just hate the thought that there are guys out there that treat real girls like that and think it’s okay. Some guy has a really great girl, then starts shopping around and breaks up with her, then whines about it when her life turns out way better later.

It’s like, dude: “Greener pastures don’t always mean happier days.” So quit your bitching and deal with the fact that you threw away the best thing you’ll ever have and it’s your own damn fault. I hate that kind of thing in bad romance movies, and I hate it even more in real life.

Sometimes you should just stick with what you have. Happiness is its own reward.

Witch King at Amazon

“Tomahawk” is my het novella-thing. Basically, two people meet online and find love. One is American, and one is British, so theirs is a long-distance affair.

Somehow, though, in my head I picture Toma as Arthur and Hawk as Eames when I’m writing their online chats. So confusing!

There’s just something so awful about not being able to differentiate between real fic and fanfic. Lol.

Anyways, at some point I’m going to have to find someone that can speak “real” Britspeak to go over this story and point out all the weirdness. I’m just so completely American that it’s not even funny. It’s like being diagnosed with an inoperable tumor– “Oh no, I have an American! In my brain!”

HAWK: what u wearing?

TOMA: Anything u want, baby.

HAWK: okay, so a raincoat and wellies.

TOMA: Wellies? What’s that?

HAWK: u know, rubber boots u wear in the rain

TOMA: Ah, sexy.

HAWK: well, u need to wear something, seeing as ur so wet.

TOMA: Rrowr

TOMA: What are U wearing?

HAWK: seeing as it’s past two here, I’m in just my pants.

TOMA: And that’s hot how? I’m wearing a tank top and boxer shorts, while ur fully dressed? How sexy can that be?

HAWK: no, love, pants is like ur American underpants.

TOMA: Ohhh. So why don’t u touch yourself?

HAWK: I thought u were going to be the one doing the touching?

TOMA: Don’t be a sexist tool.

TOMA: Now get ur hand in ur pants and start fondling.

TOMA: I wish I could see ur cock.

HAWK: it’s gigantic!

TOMA: Heh.

Small Gods at Amazon

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So I’ve been writing, which is good. It’s about the only thing I have been doing because I don’t have much energy or interest in anything else. I even let my farm on Farmville get all withered, and you would have thought my OCD would have forced me to care for my crops at least.

My current priority projects:
THE BRAND — [Harper Kingsley] mm fantasy. This story has grown from “that harem thing” to something with a lot more court intrigue and assassination attempts. I’m very enthusiastic about it and I’ve been building a world that I hope other people will enjoy reading about as much as I’ve enjoyed writing it. [words: 100,000+]
FIENDS — [Sol Crafter] mm supernatural. Teablossom is a jerk, but I think he’s becoming a creature with a little more depth than he started with. I’m still trying to see what kind of guy Henry is–though like a lot of my other characters he’s somehow managed to become completely neurotic. [words: 30,000+]
VEDRAN’S HAND — [Harper Kingsley] mm fantasy. My weekly opus. The world of Dragon Knight has become a lot richer and fuller than I started with and the characters have gained more depth. Dragon Knight has also become a bit of a sociopath that only cares about Vedran and would kill anyone else that got in his way, but he’s a hot sociopath, so that’s something. [words: 100,000+]

What else is in my stew pot:
ALLIES & ENEMIES — [Harper Kingsley] The sequel to “Heroes & Villains.” This should already be done, but it’s been very painful for me to go back through and add to. I’ve killed so many people in this story that I have to worry it might be a bit too much. [words: 120,000+]
NYXTI — [Harper Kingsley] mm fantasy. So I promised Sam Argent a story, and that’s pretty much this one. Set in the same world as “Vedran’s Hand” and “Black Hood,” but in a different decade. [words: 100,000+]
TUESDAY NIGHT — [Sol Crafter] mm superhero. AU of “Pulse of the City.” Kind of a kid!fic, but really just two guys trying to make a life together. [words: 50,000+]
DOGGY STYLE –[Sol Crafter] mm supernatural. Zack gets turned into a dog, then has to figure out how to get back to being human. [words: 30,000]
ACROSS TWO DIVIDES — [Sol Crafter] So I’m this awful person that killed off this poor guy’s brother, and now I’ve gotta get him past his grief to the point where he’s not just a pile of misery.

Anyways, I’ve got a lot on my plate and I’m moving through it all at a steady pace.


If you’re curious, this is how I write:

  1. I come up with the initial idea. Which can basically be “two guys meet and fall into a relationship that has an HEA” or “a guy really wants to be a superhero, but it doesn’t work out, so he becomes a pretty serious supervillain.”
  2. I expand on the idea in note form. Pages of description, things I think I might want to have take place, even background info that I might not use for that particular story but might use later.
  3. I write a synopsis. A generalized sketch of what I want to have take place in the story. Beginning, middle, and end, though it’s pretty sparse.
  4. I write a serious outline that goes through the scenes one-by-one and includes all the dialogue. My outline could basically be seen as the entire story in compacted form.
  5. Using my outline, I write out the scenes, filling in all the details and richer descriptions of people and scenery.

Sometimes I don’t bother with steps 3, 4 and 5. If I feel like I know the story and the characters well-enough, I just come up with the world they live in and let them go about their business.

My daily quota: 12,000 words.