Things I question about this life

Do I need to replace metal stylus tips?

I have a Kindle Scribe, as I have previous bragged about. It is one of my favorite devices–though I do use my phone more. But that’s a necessary part of modern life. It’s my mobile Internet source and personal access to my (very little) money. The Scribe is for fun.

I carry my Scribe around with me and I used it enough when I first got it that I ran through all the plastic stylus tips that came with it. And then I had to buy more, and I used up those and had to buy more and…

Finally I bought the metal tips and even though it came in a multipack, I’ve been using the first one for many a month.

It was definitely a good purchase choice.

I just wonder if there comes a point when I’m supposed to replace it. I’m not sure if it’s wearing down, or if that’s how it’s always looked.

But I don’t want to wait to replace it and end up scratching my screen.

I don’t have a screen protector because I hate them. There’s always a bubble or a bit of dust or some weird eyelash or something, and that really upsets me. I mean, I haven’t been clinically diagnosed with OCD, but I’m pretty sure that what I have is OCD. Definitely OCD-adjacent.

So do I need to replace metal stylus tips? Or am I good for the life of the device?

WTF are they thinking?

Seriously: What is the plan???

I realize that some people would get loud and start throwing things around… But why didn’t they assign more Supreme Court judges?

When a group of people colluded to trick their lifetime choices onto the highest court… the court pretty much lost its legitimacy in the eyes of the people.

Like, if terrible people are going to break the unspoken moral code, then doesn’t that mean the code doesn’t exist? Do the things you’re legally allowed to do!

For reals, it would give all those annoying book ban people something else to focus on than other peoples’ children.

It’s like, how are they still allowed to do what they’re doing??? If they don’t want their kids to have access to certain books… why isn’t there a system in place whereby the child’s library card is limited?

They go to check out a book, and the librarian calls up their account and goes “Nope. Your parent or guardian filled out an online or paper form and you’re not allowed to borrow this book.” Boom. It’s that easy.

Why are other people deciding what limits a parent can put in place?

Like, Patty Hurstsess doesn’t want her kid to read “Dune” because of the terrorism implications in the series. Okay. Then when her kid walks up to the library counter, the librarian doesn’t allow them to check out the book. Simple.

And I know: “But my child could go into the library and read the books there!”

Well blah.

If you care that much about the content your child is exposed to, then there’s plenty of other books you shouldn’t be allowing your children or teens to read.

Seriously, if you’re throwing a massive fit about “Slaughterhouse Five” or “Animal Farm” or “Brave New World” or “Anne Frank’s Diary” and completely ignoring all the new shit that’s out there??? You’re a joke. Shut up and read.

For the “concerned parents” there should be a section of books in the library that contains “safe” books. And whenever the class goes to the library, that’s the area where their kids can hang out. Everybody else can freely access all the other books in the library. Easy peasy.

School libraries already follow guidelines about age-appropriate books. AND they don’t just listen to what some random weirdo selling on Amazon says. (“My book is for teens! It’s chock full of fatphobia, needless emotional torture, and thinly veiled violence. The romance is super cute–with all the threats of suicide and the ‘maybe statutory rape’ and the ageism I put in to show that I’m young and hip and totally able to connect with the yoots of today.”)

There is a catalogue of children’s library appropriate books that librarians purchase from.

And sure, some books for teens contain hard to deal with content, but the books chosen are the softest way to present topics the teens are going to come across. Such-as: Death. Assault. Being falsely accused. Medical malfeasance. Poverty. Self-harm. Unpleasant employers. Untrustworthy friends. Bad parenting. Foul language.

And I know. Some people are like “My child should not read about those sorts of things because we actually take care of our kids. None of that stuff has ever been in their life, and we want to keep it that way. We got our children brand new. They’re pristine and untouched by the filth of this hellish world.” Then they’re surprised when their kid grows up to be an Internet Troll/cult member. The kind of dude that laughs at ultra-violence videos and shrugs off casual IRL violence as no big deal.

Like, having empathy doesn’t mean having to personally experience something.

You can read about bad things in an understanding way via stories. You can “glimpse” into other peoples’ lives and realize compassion.

If all a kid grows up with are videos presented by unmonitored algorithms, at some point videos of the lowest common denominator start popping up so regularly that a person can’t help clicking. (“Fine. I’ll watch this so it stops being on my For You feed.”)

And like, when I see crap and lies, I’m able to recognize it. A kid that’s never read books for edutainment has no wheelhouse to draw against. (“These videos are teaching me so much! I’m going to poach some eggs in the microwave and cure my smallpox by eating 12-day old badly dehydrated banana skins.”)

Homeschool kids are the most vulnerable to “real world shock,” but so are the kids that “never read.”

When you’re being presented with media via written words or audio, you have to focus. You can’t set the book to a faster speed like a video and skip through it. You can skim the content, but you can’t read without some amount of concentration.

When you’re reading the words, your eyes have to decode the sentences and paragraphs and your brain has to build a mental image of events. Listening to the audio, it can be tuned out, but when you’re focused your brain still has to translate words into mental pictures.

You’re giving your brain a workout. Especially when the content contains metaphors and symbolism and discussable content.

There’s nothing like reading a book and coming up with your own ideas about the content and then reading someone else’s review or joining a book discussion.

Finding out that other people have different points of view is the gateway to accepting that other people exist.

We are not NPCs. We are human beings.

Not everyone wants to raise their child as an intelligence-phobic Luddite. And when you’re telling other people what books their child is allowed to read? You’re acting like a clown. Stop yourself.

Prairie Fires at Amazon

Reads with Rachel on YouTube has really made me want to read "An Elderly Lady Must Not Be Crossed" by Helene Tursten (Amazon link: https://amzn.to/45Lzlxg).

Summary: "Don’t let her age fool you. Maud may be nearly ninety, but if you cross her, this elderly lady is more sinister than sweet.

"Just when things have finally cooled down for 88-year-old Maud after the disturbing discovery of a dead body in her apartment in Gothenburg, a couple of detectives return to her doorstep. Though Maud dodges their questions with the skill of an Olympic gymnast a fifth of her age, she wonders if suspicion has fallen on her, little old lady that she is. The truth is, ever since Maud was a girl, death has seemed to follow her.

"In these six interlocking stories, memories of unfortunate incidents from Maud’s past keep bubbling to the surface. Meanwhile, certain Problems in the present require immediate attention. Luckily, Maud is no stranger to taking matters into her own hands . . . even if it means she has to get a little blood on them in the process.

"Includes cookie recipes"
The Elderly Lady series sounds like a fun series.

Like, if you’ve read the Dexter books, you know that there was a courageous attempt at humor that didn’t really land. There’s a reason they removed so much of that nonsense for the TV series. It doesn’t work in a visual medium.

And like, nobody really wants a serial killer running around in real life. They’re just incredibly problematic people. In every regard.

But there’s something charming about reading dark humor serial killer books. There doesn’t need to be a load of drama. No police chases. No "I have to make a horrifyingly gory murder trap to kill a bunch of people so I can cover up all the murders I committed before" shenanigans.

Have you ever seen the 1996 movie "The Last Supper" starring Cameron Diaz, Ron Eldard, Annabeth Gish, Jonathan Penner, and Courtney B. Vance as five graduate students sharing a house? Through a series of events, they begin killing people and burying their bodies in the backyard. Which results in some phenomenal tomatoes.

It’s like the "Death Note" without the Death Note and global access to the Internet. They swiftly go from killing people "that deserve it" to killing people that they feel even moderately judgmental about.

The setting is perfect. You couldn’t make that movie in a modern setting. It’s the lack of cellphones and the inability to tell anyone what’s happening that makes the movie.

If those events were being shown in a movie today, people would be wondering why some of those dinner guests weren’t letting people know that they’ve found themselves having dinner with weirdos. And at least one of them would have location services turned on.

Being set in 1996, people could completely disappear like that. You’d get in a car to travel across the country, and unless you stopped in every town and used the payphone to call someone and tell them where you were… They would just be like "So-and-so is supposed to show up on Thursday."

There was no way to contact someone because you wouldn’t know where they were.

So in "The Last Supper," all those people they disappeared could have fallen into a black hole for all anyone knew.

And that’s kind of how I feel about "An Elderly Lady Must Not Be Crossed." From what I understand, it’s a collection of short stories about an elderly lady that uses peoples’ ageism to get away with her current murders. And in between, there’s recountings of some of the murders she committed throughout the years, starting at a relatively young age.

She got away with her crimes because she was doing them before the 2000s. And after that she was "just an old lady" that nobody let themselves suspect.

There are so many "famous" real life serial killers that never would have gotten away with their crimes for so long if they hadn’t lived in the past. Like, the story of one of Jeffrey Dahmer’s teenaged victims escaping mostly naked into the street only to be returned to him by THE POLICE is mindboggling. There’s no way that could happen now because someone would be reviewing the bodycam footage later and go "What the fuck was that?!?"

So I’m interested in reading a book series about an older person getting away with murder because of ageism. To have all suspicion be turned away by her claims of "Oops, had a senior moment."

~Harper Kingsley

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Witch King at Amazon

I probably got Google thinking I was hacking into my own email account. I backed out of their little “harder level” verification like 90 times before I said “Fuck it.”

I don’t know if they still have human employees or not, but at the very least they should be paying professionals to test their shit.

I hate being told “Your data has been breached!” when I’m just trying to go about my day.

You don’t know how miserable it can be.

To be in a downbeat mood and BAM! News everywhere about how some company I’m “supposed to trust” falls to the level of being unfeeling inhuman monsters.

Dude, a “simulation” isn’t real. You’re running all these data points and nonsense and blowing it out your ass…

and like: real people will always throw a wrench in the works.

Why aren’t your stocks doing well?

Hey, mf’er, it’s your own fault! It’s not mentioning to the companies churning out your dividend payouts that you don’t like them being evil.

It’s having stocks in terrible companies and NOT opening up your mouth and being like “Hey, dudes: I’d like it if you’d stop mindlessly killing people. People are willing to pay the money. Which means we can make our whatever without destroying the world and killing everything in our path.”

For reals: Your $15 essential product doesn’t need to be that serious.

You make something that people need even if they don’t realize they want it. You don’t have to cut so many corners that your product becomes a safety hazard.

Pay for a quality build. DO THE RESEARCH. Slave labor is not a good thing. That’s not a materials source that you should be cozying up to. Your little whatever should not pay to contaminate a local water supply.

“I don’t eat meat because every hamburger has a face”-people–or the ones that just say that shit for the giggles–need to also keep in mind the production process of their favorite gadget.

Nobody wants to find out that a company that now makes juice products once caused a government to be overthrown, resulting in the deaths of countless generations. (“Your family incense stops here.” Taps the middle of a once long line.)

So if you’re making and selling your own products… When the manufacturing company asks you what source material you want to use to make your whatever, say the one that doesn’t provide the money that’s used to keep people in slavery conditions. Give a pass to the material that comes straight from human and environmental misery.

Sell your products in a store at an affordable cost. “The price of materials including shipping to your facility + the level of difficulty + the time it takes + a fair amount of profit” is the cost. The level of difficulty and the time it takes is the money you pay employees–and “CEO makes 110% more than everyone else!” should not be a consideration.

Then make an advertisement/social media post mentioning that people would appreciate receiving your essential product, which makes “community gifting awesome fun!” a venue for your product. Give bulk order discounts. (You’ll still be making a profit. And it will be a real profit, and not a result of cutting corners.)

Give up on the idea of “200% profit” margins. Whoever’s urging you to “rake in the money” isn’t taking into account what would happen if the people really did decide to eat themselves some “tasty” wealthy-looking people. (A lot of people watched Hannibal for the foodporn. Just saying.)

[Mental image: Those coin machines at “the fun zone” where the coins drop in and pile up. You pay to sweep the arm to try and drop money. Just a pile of QUARTERS glistening with silver light under the blazing white bulbs. And your eyes get caught on that MONEY and you can’t help thinking about all the things you could buy with that money. And then when you win, it drops tokens or tickets or whatever the bloated local economy of this hellscape for kids happens to be. (How many went home to cry once they realized they wasted their allowance on imaginary money?) And the exchange rate is like “500 tickets for one box of Nerds” or some other evil shit. Just a pure cash grab because “kid zones” aren’t allowed to give out cash prizes.

The parents or guardians or struggling aunts and uncles that just wanted a few hours away from their kids in an adult-centered environment… In a time before “everybody has a cellphone”-times, adults would check children in at a shady “kid zone” and leave to go gamble and drink and go have adult time. And those kids would have to hang out and wait. Like, “Here’s $20 that will last you approximately ten minutes of continuous play and a couple coupons for free meals that might or might not work. Be back in 5 to 8 hours. Deuces!”

A lot of places didn’t allow adults entrance. So that’s something? Except you’d get these kids that I really wished my little sister didn’t keep wanting to hang out with. Like, I’d give her the money to pay for the games and I’d lurk on the fringes of her playing with other little kids. But when she got older, I’d be able to sit on a bench and read a book or something. I’d keep an eye out, but I’d have to let her play with other kids. There was only $20. Not enough money for us both to play. And some of those kids were seriously troubled.

So like, adults couldn’t enter the “fun zone” to keep the pervs out… but some of those kids did pervy things and the “childcare providers” on scene were busy standing at a podium or behind a prize counter not giving a shit unless some kid started scream-crying.

And that “not really a cash prize machine” would take pride of place in the middle of the room. And there’d be some kid with a handful of quarters that would feed all their money into the machines hoping they would get a big win and the arm would sweep all the coins out for them. Forget any kids that want to play after them. The dream was to WIN IT ALL! and like buy a car or something.]

Remember that Buffy episode where Cordelia made that life affirming wish?

I mean, I don’t know if it was life-affirming in the moment. But she definitely let go of her love for Xander.

She didn’t remember the horror she lived through (and died from), but there was some kind of hold left on her soul. No conscious memory, but she didn’t hesitate to move on with her life after the wish world was broken.

And like, in that wish world everyone wore drab colors and tried to keep a low sense of presence because the vampires were attracted to bright colors and bright people. Because before they were turned, they had bitterness and unhappiness in them that was only enhanced by their new existence.

Some people don’t want to see others being happy. That’s a fact.

It’s like “I have so much money that I can’t spend it all in fifty lifetimes, but I can’t feel rich unless you and your children don’t have clean water to drink and you end up with a life sentence in prison if you even THINK about moving your kid to a better school district.” And then they wonder why everybody hates them and wishes they were dead.

~Harper Kingsley

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A City On Mars at Amazon

Alright, first off: Spoiler alerts.

So if you want to watch the movie before reading my ramblings, go do that.

I’m going to describe the happenings of the movie, and I’m also going to fantasize with my brain about all the other choices they could make for a follow up.

And straight off? It was dumb.

It was a dumb horror movie. Not really one that I would eat during because they seemed to think that “gross=funny” when really it’s just gross. Like, you’ve got all this talent in one place and a few changes would make it a mainstream popular horror movie, but instead you’re going to have monster dicks for no real reason. You know, it’s for the low-quality exophiles; it’s the equivalent of the boob shot.

Not going to lie, there’s some District 9 fan stuff out there that’s beautiful. Lyrical writing, great storytelling, and enough quality and delineation that you don’t have to read the monsterfucking if you don’t want to. This movie is nowhere near that level.

And I’m not too proud to say that I thought there was going to be some kind of reveal about why the monsters keep fucking peoples’ faces. And when the beer guy was shown to have maggots already crawling out of his just ripped out eyeball hole? After he was vomited on by one of the creatures and his skin starts melting?

I thought it was going to be like giant flies or something.

But they never explain in the movie. The monsters pop in, and either murder or get murdered. And that’s it.

“Rawr!” Boom-boom-boom! “Oh shit, you blasted my toes off with your wild shotgun shooting!” “Rawr!” “Shoot it! Shoot it!” Ad nauseam.

And there’s follow up movies and it’s a trilogy???

But I’ve only seen this one, and I don’t think I’ll go out of my way to see the others as they seem like they might be worse. (It would be like trying to watch the Species movies for their edutainment value. (None at all.) And even there the first movie was the best of the series. Like, I watched the movies, but would never describe them as quality.)

Anyways, Feast is set in a crappy bar in the middle of the desert. And there’s two waitresses, one with a kid, an old lady barfly, an inspirational speaker salesman guy, Jason Mewes, an old bartender, “The Boss” who owns the place, the “Vet” in his uniform drinking and talking about going home to his wife and then leaving back for the front lines to get away from her, the beer delivery guy, a young guy in a wheelchair, “The Bozo” who seems to be a local troublemaker, and “Harley Mom” who is planning to rob the bar.

Starts with The Bozo in the bar pushing the guy in the wheelchair away from the jukebox and saying “Shut up, fag!” as he does it. And like, yeah, casual slurs of the 2006’s.

But later, when the relationship is revealed that they’re brothers???

And when The Bozo gets scared and he jumps in his brother’s lap and hugs him? Or when he pulls him out of the way and protects him? And then when the wheelchair gets ruined, he carries his brother to safety?

They have a true and loving relationship.

I enjoy their interactions. Like, The Bozo may genuinely be a piece of shit person, but maybe it’s just the persona he puts on when he goes to the bar to scam money at pool?

Like, he pretends not to know his brother, and insults him. And then later the brother purposefully bumps into Jason Mewes to distract him so The Bozo can rub grease on the cue ball.

They have a whole routine going. And it’s just to make money to live.

That’s kind of likable to me. I enjoy that their relationship was there.

The salesman guy was annoying with his jibber-jabber. He would present these ideas that would later be revealed as awful or counterproductive. (When they return the dead baby monster, and the big monster eats it, fucks its mate, and the mate births two more? They don’t say, but I feel like that was his fault.)

Jason Mewes is just there for the cameo. And it looks like he’s wearing a terrible black wig. Just awful.

The one waitress–Honey Pie–has big dreams of leaving town and being famous. Pre-monster appearance she is almost seduced by the salesman, but his wedding ring falls out of his wallet. And she’s a silly person, but she has no interest in being a homewrecker. Her later assholeness seems like a big surprise, but I’ve also gotta question why she should trust a bunch of scumbags after all the horrible shit she’s seen and being covered with a bunch of blood and seeing maggots crawl out of a guy’s face hole? Maybe she’s the most levelheaded of the whole bunch 🤷🏻‍♀️

The other waitress is Tuffy, the single mom. She’s working in an awful bar and seems worn out and miserable in her life. At the beginning she has the bartender pour her a shot that she was going to charge to someone else’s tab until The Boss walked by and she paid for it herself. She then goes to the living area upstairs, puts headphones over her young son’s ears, then goes into the room to be fucked by The Boss. Who she obviously does not like.

From the outset you realize that she’s been living a hard life. I don’t know if she lives up there above the bar and is working for and sleeping with The Boss for housing and security, but it doesn’t seem like she has a car?

Anyways, Tuffy is the main character. No lie. It follows the others, but basically she is “the hero” of the story.

And there is a literal “The Hero” character that pops in covered in blood and waving a rifle, but his introduction is more for comedic purposes than anything else. “I’m here to save you!” Whoops. His wife comes in, “Where’s my husband? Oh noes!” and she becomes “The Heroine,” there to save everyone and get back to her daughter.

But Tuffy is the main character and hero of the movie. The loss of her son early on is the motivating force behind her wanting to get The Heroine back to her daughter.

She tries to take a leadership role, but she’s not good at it.

“Savior character”-wise, The Bozo is the protagonist. He’s the able-bodied young man with enough strength and quickness to constantly be pushed into dangerous situations. There’s very much a “You’re a man!” sense to it all as other people volunteer him to risk his life.

And like, he’s got his brother to take of. His life and his bother’s life are his motivations throughout the movie.

And while everyone in town might think he’s a garbage person… in the end, he’s brave when he’s needed to be. And throughout the movie we’re shown that the “good” people are pretty shitty.

Like, I’m sure The Boss would describe himself as a “law abiding citizen,” but he’s really the worst person there.

He is sexually harassing his employee, a single mother that he knows to be desperate. He knowingly kills someone. And he probably cheats on his taxes too, likely by stealing his employees’ tips or something. Just an all around piece of shit.

The beer delivery guy is the “loser” character. By the end, I bet he was wishing he’d listened when The Boss told him to GTFO–“You’ve delivered the beer. Get out of here.”–but lingering around the bar seems to be what he does.

Like, he goes in the basement without permission. He messes around in the backroom. When they’re trying to come up with escape plans, he knows a lot of the hidey places around the bar. Just general information that a random delivery guy should not have about someone else’s business.

If he’d left after delivering the beer, he would have avoided all of that and been much better off for it.

Instead, beer delivery guy has a truly terrible experience.

Basically everyone has a bad time.

They’re locked in a crappy bar with people they can’t really depend on. Monsters keep attacking. And the monsters are able to eat, fuck, and give birth within minutes. Which means theoretically there’s potentially a never-ending tide of monsters to deal with.

And the movie is set in pre-iPhone 2006, so nobody has a cellphone (not even Jason Mewes? Didn’t anyone check his pockets???) and the monsters are intelligent enough to take out the landline and the CB radio The Bozo risks his life to reach.

And the movie ends without explaining where the monsters came from, how many there are, and whether they’re attacking everywhere or just in that small area. We don’t know. And I don’t want to watch the other movies so…

In my imaginings, maybe those things are all over the place. Breeding too fast to be killed.

And if they were like mutated giant flies that are able to use roadkill as body protection and bones as tools… that would be horrifying. Female flies lay between 75 to 150 eggs at a time and they can hatch out within 24 hours in warm weather. And they can lay multiple batches in their lifetime, resulting in up to 500 flies within a week from one female.

Which is why I thought the giant fly monster idea would be a good explanation. Like, they’re giant and they’re walking around with a bunch of larva on their bodies–which explains the roadkill they’re covered in (it’s giant fly baby carriages). And like, those weren’t really monster dicks but monster ovipositors.

So when beer delivery guy was vomited on, it was to start the digestion process. And he was thrown up on twice, once to start digestion, and the second time to cover him in larva that would then have a food source to grow out of.

And all those dead bodies that kept having their mouths humped? They were being loaded with eggs that would hatch out later.

So like, if anyone in that bar had truly been heroic, all of the creatures would have been wiped out and any found bodies would have been burned or crammed into barrels for later research. But with the way things happened, within days the entire continent would be overrun before anyone could figure out what’s going on.

Which sounds like a more horrifying ending then the lack of explanation we got.

Anyways. Dumb movie. But possible inspiration fuel for much better pieces of work. Your mileage may vary.

~Harper Kingsley

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