Journal

Uramichi Oniisan 01 at Amazon

I love metahuman stories. I’ve written several of them and will continue to write many more. So you can probably tell that I’m a big fan of comics and movies featuring superheroes and supervillains. I love watching amazing things and seeing splashy pictures.

But when I write them, I like to find out the secrets that no one else knows. Slice of life segments of heroes and villains, explaining why they do some of the crazy things they do. Because when you’re just looking at some guy, you don’t get the ideas running through his head. You just see the peerless hero or the cackling madman.

You don’t see the guy that has to go buy milk, but has to hide the fact that he’s got one giant gorilla arm under a trench coat. You don’t see someone like Sunfire [Supergroup] washing dishes and doing his own laundry. You don’t see the feelings that run through a superhero like Blue Ice when he realizes he loves a supervillain.

There’s something so awesome about reading a superhero novel. And there’s something awesome about writing one too.

 

I really like this “Patriot” trailer from Bleeding Cool Ink, so I thought I’d share this too.

This is one comic I can’t wait to read. The premise is so good, and if it’s done right it can be so good.

Faizel 02 at Amazon

Wrote these tweets, got to thinking.

I look at old stuff I’ve written and I can see a definite improvement between then and now. But does that mean I should change things?

— Harper Kingsley (@HarperKingsley0) June 27, 2012

 

I’m not talking about simple edits either. I’m talking about ripping the guts out and rearranging things. Rewriting history

— Harper Kingsley (@HarperKingsley0) June 27, 2012

 

If  I decide to completely rewrite part of a story, what should I do about the original? If I completely change the end of a story, what responsibility do I have to people that read the first version? It’s not currently something I’m doing now, but I can possibly see me wanting to do it in a few years if my writing style keeps evolving.

Both versions would have to be made available because there’s always someone that loves the original more. There’s nothing so painful as re-reading a beloved story and find out you’ve gotten hold of the “Special Edition.” Which makes me wonder if George Lucas ever stops to think about what he’s doing before he changes Star Wars again. Is there ever going to be a time when he tells himself “No, that’s enough” and just stops?


Anyways, I’m currently reworking a story I wrote a long ass time ago. I love the idea of such a crazy sewer rat kind of future. Unfortunately, I didn’t have very much skill at writing when I penned it. There was some beautiful imagery, but it was mostly written in a truly crap style. The characters need a bit more development and some of the stuff is very Mary Sue. But I can fix that!

Picture it: Dystopian future where everything’s dark and grim. It’s like the whole world was taken over by Gotham — the Tim Buron version of Gotham. Dark, but not too depressing, with people wiling away their days and hoping the future is going to be better.

There are gangs everywhere and violence and it’s just the way things are.

One of the gangs is the WoD led by a beautiful girl with the nickname “Angel of Death.” Her teenaged followers are a band of murderous misfits that run their section of The City with an iron fist. They take no prisoners, they are an army, and in the darkest of times they are a beacon of light.

Yeah, so I’m trying to make it into something readable. I hope it goes well because it’s a story I really want to share.

~Pax

Let's Make Dumplings at Amazon

A THIN LINE BETWEEN TOTAL NUT-JOB AND ECCENTRIC QUASI-TRILLIONAIRE:  If I ever become incredibly wealthy, I’m going to be like the guys of Dethklok (Metalocalypse.) Not all violent and crazy, but just some total loon that goes along with anything people say.

Nothing super crazy, but I think it would be cool to just go along with some “I Love Lucy”-esque hijinks and just roll with the situation. To meet all these strange people and be in their lives for a couple of days to just see how it is, but to always have the reassurance of being able to say “Fuck it” and just leave if you hate it. That has got to be one of the awesomest things ever.

Can you imagine going back in time to all the jobs you’ve ever had, doing them, but totally not giving two shits about anything? Would you tell your bosses exactly what you think of them? Would you ask that one chick what exactly that is on her chin? Would you chuck politeness and tell boring-talky-guy that his word vomit annoys you? Or would you go the other route and spend all your time being the crazy friend to different people, the one that always tries to help out and manages it, but only after some highly unlikely events take place?

Basically, how cool would it be to act like Van Wilder and have a ton of money to back you up? I would totally have a Taj of my own, though one that’s not so skeezy.

I think my life would be so much better if I had an assistant and a manager, though my manager would have to be like the guy from Josie and the Pussy Cats (he’s totally the same character in Royal Pains, no lie.) I would be like a real live Jeeves & Wooster if I had the money to pull it off. Plus I’d have a Swim Spa, never ending pool.

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COMIC BOOK CHATTER:  So I read this article at Cracked.com and it really got me to thinking about Mr. Freeze and about the different levels of evil. There are just some lines that people don’t want to cross, and you can pretty much see how hardcore a book really is by how far the villain is willing to go.

For cereal, why didn’t his boss let him keep his frozen wife on ice? If the guy was truly Machiavellian, he would have seen this as the perfect leverage to use against the guy — he could keep Fries as a serf for the rest of forever as long as he had the wife housed at his facility. Fries would have been happy to stay there and would have been loyal to his boss for being cool enough to let him keep his dead wife there. I mean, it wasn’t as though the guy was the one that killed her or anything; she had sucky genes. He could have been Fries’ hero, while still totally doing the bad guy giggle in the backroom. That right there was the stereotypical bad guy cutting his nose off to spite his face tactic.

And this is where it comes around to “Dune” once again. That was a movie that had The Evil Empire make a guy betray his Duke by snatching the guy’s wife and raping the guy’s mind into compliance. The dude was so traumatized, that even knowing his wife is dead, he still serves the bad guy and gets a bunch of people killed. He was so mind-raped that it was like he was Imperius’d or something; he served the bad guy just for the possibility of finding out what had happened to his wife. He could have told the Duke what was going on at any time, and the Duke probably would have helped him go after the bad guy. There had to be someone else that knew what happened to his wife.

But the bad guy had the poor guy so twisted, that he’s not even free to have his own thoughts. That’s pretty evil right there.

David Drake’s military sci-fi series “Northworld” kicks it up a notch with one guy being kept in a cage by The Evil King and forced to keep creating weapons. The Evil King killed the poor guy’s brothers (that or the brothers were killed before then, I’m not sure. I need to re-read the books, and you need to read them for the first time), crippled the guy, then even came around to hassle him and threaten torture on a semi-regular basis. That was a bit too much evil, considering the guy nutted out and broke The Evil King’s wife and kids, just shattered them mentally.

So there’s kind of an evil guy balance that needs to be maintained. Too evil and the victim becomes an unstoppable killing machine, and not evil enough and the guy becomes an unstoppable killing machine that speaks with a thick Austrian accent and wants to kill that pesky spandex wearing boy.